Chairs

The design of these rockers involves maximising the unique work of nature. The objective is to visualise the finished chair with the beauty and symmetry of the figure/grain of the wood shown at its best.

The initial rough sawn timber is skim planed to allow the observation of the figure of each length that is available for the chair. Templates of the different components of the rocker are then laid out in order to choose the most appropriate place to cut each one from to achieve that objective. It is not until the chair is structurally completed and the first coat of finish applied that this care and attention to detail at the outset is appreciated.

Unlike many similar chairs, the grain in the headrest is vertical and not the easier way of horizontal. Made up of a number of pieces angled and glued together (as in the coopering of a barrel) that will allow the desired depth of radius to be formed.

Six rough cut pieces pre the angles being cut on each inside face. First pair of three, following being angled and glued together. Final glue up of last pair to the previous two pairs.  Note the glued on sacrificial clamping aids. Completed glue up, the sacrificial softwood clamping pieces now having been sawn off. Completed head rest on a finished Black Walnut chair.

This also creates repetition of form, as the grain is all in the same direction - rockers, legs, seat, arms, back braces and headrest. The seat is constructed from four to six pieces, again chosen to maximise the figure of the wood.

Following glue up of four pieces, chosen and arranged to produce an attractive grain pattern in the finished seat.  Black Walnut. An oak seat with completed sculpting and leg joints. Close up of the same seat, in now completed chair, as in the first photo.

The back braces and rockers are constructed by lamination, as are the gentle and strength giving transitions from the rockers to the legs. This also adds to the sculptural and flowing appeal of the chair. The rockers are made up of nine strips of 3mm (1/8") each, their minimal thickness making them easy to bend to the desired shape (like the bow in a bow and arrow) which are then glued and clamped to each other in a specially made former to achieve the desired radius.

This results in a very strong component, stronger than if the shape had been cut from one piece of solid timber (because there is no short grain). The back braces are similarly made of four, even thinner pieces, 2.3mm (90 thou. inch) with the middle two being made of Ash, which is used for its strength and flexibility. They are so shaped to provide good lumbar support and are also designed to move and flex in their locations, when the chair is sat in.

A pair of Back Braces during glue up in the specially shaped former.  Note the shape where the black arrows are - this is the part that is specifically shaped to fit into the small of the back of the sitter, providing excellent support. A Rocker in glue up, a total of eighteen cramps are in use to ensure perfect fitting joints of the nine laminations.  Left for a full twenty four hours to allow the glue to fully cure and thus minimise spring back. Laminated rocker following gluing, pre clean up of excess glue and machining.  Clearly showing nine laminations. Close up of a Back Brace in rough state following glue up of four laminations. Close up of leg/rocker joint on a finished oak rocker - note the extra laminations that are used to create the gentle radiused transition from leg to rocker.

The top of the arms are sculptured ensuring the forearms rest easily.

Close up end view following the machining of the main radius on the top of the arm. An Arm partly sculptured - still more to do. Arm on a completed Rocker in American White Oak.

The extra length at the rear of the rockers is a health and safety plus point, fully resisting a backwards fall if for any reason the chair is rocked too aggressively.

Side elevation of completed rocker in Oak.

The finish is numerously coated and hand rubbed with Danish Oil and finally waxed, which really brings out the figure and beauty of the wood. The use of Danish Oil means that in the future, any severe scratches/dents can be repaired quite easily and then re-oiled. It is at this point that the care and attention taken in the laying out can be appreciated. A process that is not found on mass produced products.

Clearly showing the attention that is paid to the finishing process.  Black Walnut is a delightful wood to work and finish, very similar to Mahogony. A completed medium sized chair in White Ash with walnut accents. Completed small chair in Black Walnut. Small chair in White Oak.

A silky smooth finish can only be achieved as a result of the time and effort put in pre polishing. Many hours are spent at this critical stage, to an extent that before the finishing oil is applied, the chair looks to the eye as if it has already been polished!